Works
  • Sigrid Muller, Welsh Poppies, 2025
    Welsh Poppies, 2025
  • Sigrid Muller, Garlic, 2025
    Garlic, 2025
  • Sigrid Muller, Tulip Grand Perfection with Queen of Night, 2025
    Tulip Grand Perfection with Queen of Night, 2025
  • Sigrid Muller, Grape Hyacinths, 2024
    Grape Hyacinths, 2024
  • Sigrid Muller, Rolling Eggs, 2024
    Rolling Eggs, 2024
  • Sigrid Muller, Aberglasney Garden Tulips, 2025
    Aberglasney Garden Tulips, 2025
  • Sigrid Muller, Black Double Tulip, 2024
    Black Double Tulip, 2024
  • Sigrid Muller, Victoria Plums, 2024
    Victoria Plums, 2024
  • Sigrid Muller, Blue Hydrangea Petals, 2024
    Blue Hydrangea Petals, 2024
  • Sigrid Muller, Flaming Spring Green, 2023
    Flaming Spring Green, 2023
  • Sigrid Muller, Heritage Tomatoes, 2023
    Heritage Tomatoes, 2023
  • Sigrid Muller, Champagne Bubble Poppies, 2023
    Champagne Bubble Poppies, 2023
  • Sigrid Muller, Half an Apple, 2023
    Half an Apple, 2023
  • Sigrid Muller, Three Poppy Heads, 2023
    Three Poppy Heads, 2023
Overview

Sigrid Müller was born in Germany in 1962. She studied Graphic Design at the Georg Simon Ohm University of Applied Sciences in Nuremberg.

 

She moved to Wales in 1996 and became a full-time professional artist.

 

In 2001 her work was purchased by the Derek Williams Trust for the National Museum of Wales and in 2014 she was awarded 2nd place in the Jerwood Drawing Prize.

 

 

Biography

'When I draw, I try to translate what I see into how it feels to the touch. It is purely emotional, something that resonates, stirs memories, often from my childhood when judgement did not come before objects were thoroughly observed and experienced.

 

My drawings are made with layer upon layer of very fine pencil crayon on backgrounds of pooled watercolour washes. It is a meticulous process which can take several weeks from the preliminary sketches to the finished painting.

 

The background is a dynamic and integral part of the painting, as important as the subjects themselves. It provides an imagined space where they can live - suspended, with nothing to hold on to, or existing on seemingly firm ground.

 

I choose intuitively, not searching, but coming upon, being stopped in my tracks by the promise in a closely furled iris bud, the dry rattle of a seed pod, or the soft ripeness of a plum.'

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Exhibitions